Vibe creating is conversation-driven video production: you describe what you want in plain language, an AI partner plans and produces it, and you shape the result by reacting instead of editing. It sounds like there is nothing to learn, and that is almost true. But after making dozens of videos this way, I can tell you the people who get great results in two conversational passes and the people who grind through ten are doing observably different things. This guide collects the 12 best practices that separate them, with a real before-and-after brief for each one.
Pexo, the AI video partner that coined the term for video, is the working example throughout. Every practice here was tested inside a Pexo conversation, and most of them transfer to any conversational creation workflow.
Key takeaways:
- Brief the outcome you want, not the instructions you would give an editor. Conversational AI is better at "make it feel like X" than at executing 15 micro-commands.
- Front-load context that never changes: brand, audience, platform. Say it once, early, and it shapes everything downstream.
- Iterate in small passes with one or two changes each. Batch-dumping eight notes at once is where most sessions go sideways.
- Know the regenerate-versus-refine line: refine when the foundation is right, regenerate when the concept is wrong.
- Reuse the conversation. Pexo remembers your uploaded assets and earlier direction, so video two should take half the words of video one.
What Is Vibe Creating?
Vibe creating is the content-side descendant of vibe coding, the term Andrej Karpathy introduced in February 2025 for building software by conversing with AI instead of writing every line yourself. Applied to video, it means you never touch a timeline, a template gallery, or a prompt syntax cheat sheet. You describe the video the way you would brief a colleague, review what comes back, and redirect in plain language until it is ready to ship.
The key mental shift: you are directing, not operating. A director does not tell the camera operator which button to press. A director says "this scene should feel more urgent" and trusts the crew to translate that into craft decisions. Every best practice below is really the same advice in different forms: be a good director.
What You Need
- A Pexo account (a Pexo conversation is where all the examples below happen)
- Any starting material you have: a product photo, a URL, a rough idea in your head. Text alone is enough
- Ten minutes for your first video, less once the conversation has context
Practice 1: Brief the Outcome, Not the Instructions
The single biggest habit change. Most people arrive from template tools and write briefs like task lists: "Scene 1: show logo for 2 seconds. Scene 2: product close-up. Scene 3: text overlay saying 50% off." That style fights the medium. A conversational partner does its best work when it understands what you are trying to achieve, because then every decision it makes on your behalf points the same direction.
Before: "Make a video. First show the bottle, then show someone using it, then show the logo, then text at the end."
After: "I want a 15-second ad that makes this serum feel like a small everyday luxury. Target is women 25 to 40 scrolling TikTok at night. The one thing they should remember is how the texture looks on skin."
I tested both briefs on the same product photo. The instruction version came back technically correct and completely flat. The outcome version came back with a slow-pour texture shot I had not thought to ask for, because Pexo understood the job was "make texture memorable," not "show the bottle."

Practice 2: Give Brand Context Up Front, Once
Anything that is true of every video you will ever make belongs in your first message, not scattered across corrections later. Brand tone, color world, audience, what you never want to see. Front-loading this costs you two sentences and saves you a round of "actually, our brand is more minimal than this" on every project.
Before: "Make an ad for my coffee brand." Then three passes later: "Too playful. We're a premium brand." Then: "No bright colors, we use earth tones."
After: "Context first: we're a premium single-origin coffee brand. Voice is calm and confident, never jokey. Visual world is earth tones, morning light, no neon. Now, I need a 20-second ad for our new Ethiopia roast."
The second version got the tone right on the first preview. The first version needed three corrections to arrive at the same place, and each correction was me paying down context debt I could have cleared in the opening message.
Practice 3: Name the Platform and Format Before Anything Renders
A TikTok video and a YouTube pre-roll are different objects: aspect ratio, pacing, how fast the hook has to land, whether it must work with sound off. Saying "vertical, TikTok, hook in the first second" up front means every downstream decision, from shot length to text size, is made for the right container. Retrofitting format after the fact is the most avoidable rework in vibe creating.
Before: "Make a product video for my desk lamp." Then after production: "Oh, can you make it vertical? It's for Reels."
After: "Vertical 9:16 Instagram Reel, 15 seconds, needs to work muted with on-screen text, for my desk lamp."
Practice 4: Attach Your Real Assets in the First Message
If the video is about your product, your product photo should be in message one. Vibe creating partners like Pexo take text, images, URLs, and audio as inputs, and the earlier the real asset arrives, the earlier everything is built around the actual thing instead of a stand-in. A product URL is even better than a photo alone: it carries your copy, pricing framing, and visual identity in one link.
Before: "Make an ad for a skincare serum." (Generic serum appears.) "No, MY serum, here's the photo."
After: "Here's my product page URL and a photo of the bottle on white. 15-second ad, focus on the dropper texture shot."
Practice 5: React to the Plan Before the Production
Pexo shows its plan and quick previews before committing to full production. Use that checkpoint. Thirty seconds of reading the plan and saying "scene 2 doesn't earn its place, cut it" is the cheapest edit you will ever make. The same change after full production costs a regeneration.
Before: Skipping past the plan, waiting for the finished video, then rewriting half of it.
After: "The plan looks right except the opening. Don't start on the logo, start on the problem: someone squinting at a cluttered spreadsheet. Logo goes last."
In my sessions, catching one wrong scene at the plan stage consistently saved a full production pass. This is the highest-leverage moment in the whole workflow.

Practice 6: Iterate in Small Passes, One or Two Changes at a Time
When a preview comes back 80 percent right, the temptation is to dump every note at once: "make it faster, change the music, different opening, warmer colors, new end card, and can the text be bigger." Eight simultaneous changes make it hard to tell which change caused which effect, and some notes contradict each other in ways you only discover after they are applied. Small passes converge faster than big ones. I have timed this: three focused passes beat one kitchen-sink pass almost every time.
Before: "Change the music, speed up the middle, different font, warmer grade, shorter intro, new CTA, and lose the second scene."
After: "Two things this pass: the middle section drags, tighten it. And the music feels corporate, I want something closer to lo-fi." Then, after reviewing: next pass.
Practice 7: Describe the Feeling, Let the Craft Follow
You do not need vocabulary like "color grade," "J-cut," or "kinetic typography." Plain feeling-language works, and often works better, because it tells your partner the goal instead of guessing at the technique. "This should feel like a Sunday morning" gives Pexo more useful direction than a wrong guess at a technical term.
Before: "Add a LUT to make it cinematic and use dynamic transitions."
After: "Right now this feels like a corporate explainer. I want it to feel like a friend showing you something cool they found. Looser, warmer, more handheld energy."
Practice 8: Know When to Refine and When to Regenerate
This is the judgment call that saves the most time. The rule I landed on: refine when the foundation is right, regenerate when the concept is wrong. If the structure and story work but the pacing is off or one scene misfires, ask for targeted changes. If you watch the preview and feel a vague "this whole thing isn't it," do not sand a wrong concept into a mediocre video one note at a time. Say so, add the missing context (there always is some, usually something you knew but never typed), and restart the concept.
Before: Ten polite refinement passes on a concept you never actually liked.
After: "Honest note: the whole talking-head angle isn't right for this. My audience skips anything that looks like a presentation. Let's restart the concept as fast product-in-use shots with bold text, no presenter."
Three targeted-refinement passes failing to fix the same feeling is your signal. That is a concept problem wearing a pacing costume.

Practice 9: Say What You Liked, Not Just What You Didn't
Corrections steer away from things. Praise steers toward things, and it protects the parts you love from being churned in the next pass. "Keep the opening exactly as is, it's perfect" is real direction, not politeness: it tells your partner what is locked and what is still in play.
Before: "Change the ending."
After: "The first five seconds are exactly right, don't touch them. The texture close-up is the best shot in the video. The ending is the weak part: it fades out instead of landing. Give me an ending with the same confidence as the opening."
Practice 10: Reuse the Conversation Across Videos
The conversation is an asset that appreciates. Pexo remembers what you uploaded, what you approved, and how you like things, so the second video in a series should take a fraction of the briefing the first one did. Do not open a fresh conversation and re-explain your brand for video two. Reference what already exists.
Before: New conversation: "Hi, I have a premium coffee brand, earth tones, calm voice..." (repeating the entire Practice 2 brief).
After: Same conversation: "Same brand world as the Ethiopia ad we just finished. Now a 10-second version for Stories, and this time lead with the price drop."
My first video in a series took a full brief plus four passes. The third one took two sentences and one pass. That compounding is the real economic argument for vibe creating.
Practice 11: Ask for Variants While the Context Is Hot
Once a video is approved, the marginal cost of a variant is one sentence, because all the context is already loaded. This is the moment to grab your A/B versions, platform cuts, and alternate hooks, not next week in a cold conversation.
Before: Shipping one video, then coming back days later to rebuild context for a square version.
After: "Great, that's approved. While we're here: give me a square 1:1 cut for the feed, and one variant with a different hook, questioning instead of bold-claim."
Practice 12: Keep a One-Paragraph Brand Brief You Can Paste
The lowest-tech practice on this list and the one I use most. Write one tight paragraph covering your brand, audience, tone, visual world, and hard no's. Keep it in your notes. Paste it at the top of any new conversation. It turns Practice 2 from a discipline into a reflex, and it makes your results consistent across weeks and across teammates who brief differently.
Before: Reconstructing your brand context from memory each time, slightly differently each time.
After: A saved paragraph: "Brand: Fern, premium houseplant subscription. Audience: urban renters 25 to 38 who want plants but fear killing them. Tone: warm, lightly funny, never preachy. Visuals: soft daylight, real apartments, no studio white. Never: sad dying plants, guilt angles, hustle-culture voice."
Common Mistakes to Avoid
- Writing prompts instead of briefs. Keyword-stuffed prompt-engineering syntax ("cinematic, 4K, trending, hyperdetailed") is a habit from raw generation models. In a conversation it adds noise, not quality. Talk like a person.
- Treating the first output as the final exam. First previews are the start of the conversation, not a verdict on the technology. Directors expect a first pass to need direction.
- Withholding your reaction. "It's fine I guess" gets you nowhere. Your honest gut response, including "I don't know why but this feels off," is usable direction.
- Micro-managing shot by shot. If you find yourself dictating every cut, you have drifted back into operating. Zoom back out to outcomes and let the partner do the craft.
- Restarting conversations out of habit. Every fresh conversation throws away accumulated context. Stay in the thread unless you are genuinely starting an unrelated project.
Pro Tips
- Name the one thing. End your brief with "the one thing the viewer should remember is X." It forces you to clarify your own intent and gives every downstream decision a tiebreaker.
- Use references conversationally. "The energy of a GoPro ad, but slower" or "like those recipe reels where everything is shot top-down" communicates volumes without any technical vocabulary.
- Give negative space. What you never want ("no stock-footage handshake energy, no corporate synth music") is often more clarifying than more positive description.
- Set the stakes. "This is a quick test" versus "this is our launch hero video" legitimately changes how much exploration versus polish the pass should aim for. Say which one it is.
- Brief where you already work. Pexo also runs inside Slack, Lark, WhatsApp, and Claude, so a variant request can be a one-line message in the channel where the campaign discussion is already happening.
What Else Can You Use?
Vibe creating as a full conversational workflow is Pexo's home turf, but pieces of the practice transfer elsewhere. Runway gives you strong per-clip generation control if you prefer hands-on model work and don't mind assembling results yourself. InVideo takes text-to-video briefs into a template-based editor, a fit if you want AI drafting but conventional timeline control over the final cut. Both are respectable options; the difference is that you will be back to operating software rather than directing a conversation.
Conclusion
None of these practices require skill with software. They require the same thing good creative direction has always required: knowing what you want, saying it clearly, reacting honestly, and not repeating yourself. Brief outcomes, front-load context, iterate small, know when to restart, and let the conversation compound. The gap between a frustrating vibe creating session and a great one is almost never the AI. It is the brief.
If you want to put these into practice, start a conversation with Pexo and try Practice 1 on the next video you need. Describe the outcome like you would to a colleague, and see what comes back.






